Japanese woodblock printing is a craft of discipline and sensibility. It is a traditional method of making an edition of colour prints using the relief woodcut process. It differs from the European process by its use of a Japanese baren (printing disc) to print on moist paper. The result is a print which has the delicacy of historical Ukiyo-e print in the Japanese Edo period.
During this course, the tutor will introduce and explain each stage of the process, including completing and transferring your design, carving the woodblock, applying the watercolour paints, preparing and moistening paper. This is followed by the effective use of a baren to complete your prints by hand.
On the first evening, your tutor will check your design and advise on any adjustments. On the following evenings, students may be able to work in the studio with the tutor’s permission.
You will learn the basic techniques which you can explore and practise at home.
By the end of the course, you will have completed three woodblocks, learned and applied techniques to produce an edition of prints from your blocks and gained confidence in exploring printmaking with colour and layers.
This course is part of our Japanese influence’s week. Our February themed week of short courses for 2024 focuses on Japanese influences, led by talented artist-tutors.
Akiko Fujikawa - Woodcut printmaking
Rob Jones – Katagami and shibori textiles
Paula Haughney - Netsuke stone carving
Tim Andrews – Tea ware pottery
Yoko Takenami – Ink calligraphy and characters
Nick Bodimeade - Landscape - Eastern influences on European painting
Each course explores a different aspect of the influences of Japanese art and craft and how they may be applied to contemporary practices.
Each tutor will be invited to give a short talk (10 minutes) about an aspect of their work relating to the theme of the week on Tuesday evening at 5.15pm. Participants will also be encouraged to visit other courses to see work produced across the varied approaches offered in the week.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops until 9pm, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
- The course fee includes the cost of providing materials including:
- Japanese sumi (black ink) and watercolour paints to share
- Tracing paper, carbon paper, sandpaper
- Nori paste
- 12 sheets of prepared Japanese printing paper per student
- 1 test plywood
- 3 pieces of Japanese plywood
- Set of woodcut tools per student and a traditional Japanese baren for each student to take home
- A folder
What students need to bring
- Please bring a 15cm x 21cm drawing for the image you wish to make. A 3-4 colour simple design would be best (as generally each colour needs a separate block). An apron. Any water colour paints, including Chinese watercolour paints, (or gouache is fine) you have at home will be useful. 4 – 5 minimum 200ml glass jars with lids (small jam jar/mustard jar size is good).
Available to buy
- Available from shop:
- Additional Nori paste
- Drawing media and paper for your designs
- Available from tutor:
- Additional plywood blocks, Cotman watercolour paint tubes, and various sizes and shapes of knives, traditional Japanese barens and tracing paper will be available to purchase from the tutor.
Please wear appropriate clothing/aprons for the workshop or studio. This includes stout covered footwear, i.e. no open-toes or sandals, and safety boots, if specified.