Woodfired ceramics – gestural making, kiln building and firing with Ben Brierley

Ref: S5D36209

Book now

Places available

About this course

Firing clay with less environmental impact is increasingly appealing. On this course we will make expressive work, build a small refireable kiln and use wood as a fuel to turn our objects into ceramic pieces.

Course Description

The aim is to encourage you to work creatively and sustainably with clay, working with expressive throwing or handbuilding, or a combination of techniques, to explore the vessel form. You will understand building skills and the materials required to build a cost efficient kiln, capable of being fired on reclaimed wood. This course will demystify the practice of kiln design and construction, and will explore kiln design options. You will also develop an understanding of how to efficiently pack a small kiln for any type of firing and how to fire a small woodfired kiln upto high earthenware temperatures.

Objectives:

  • Use earthenware clay to make a small body of vessel-based work that reflects the malleability of the materials (up to three pieces per person, depending on size, will be selected to fire)
  • Build a small cross-draft, wood-fired kiln using readily available materials (fire brick, kiln shelves, etc.), which could easily be built in a garden or similar space. Discuss budgeting and the pros and cons of differing kiln designs.
  • Learn how to fire the kiln. Work will be once fired so the firing will incorporate bisque firing techniques, as well as how to fire the kiln in oxidation and/or reduction atmospheres.

Outcomes:

  • Confidence to explore working with clay in an expressive gestural manner
  • Confidence and understanding to build a kiln
  • Finish successfully fired work

Immersive Art School Week This course is part of our ‘Immersive Art School’ group of short courses for summer 2025, led by talented artist-tutors: Tim Johnson (basketry) Jane Fox and Jane Sampson (printmaking) James Hunting (textiles) Tabatha Andrews (experimental art practice) Louise Rainbow (drawing and painting) Richard Sweeney (paper sculpture) Ben Brierley (ceramics)

There will be tutor talks on the Tuesday evening from 5.15pm to 6.15pm in The Old Library as part of the course. Studio visits are encouraged to share work and experiences (out of core teaching hours).

PLEASE NOTE: Building and firing the wood-fired kiln is a very physical activity, and all students are expected to help with this part of the process. It may involve an early start or evening finish. Also, the course takes place on two sites: the ceramics studio in the main building for making, and the firing in the Sculpture Courtyard, a 10 minute walk across the gardens. It will involve walking back and forth to the kiln site and standing around. Alternatively, you may drive your car around to the Sculpture Courtyard, if you prefer.

Course Materials

Included

On this course the College will supply red terracotta clay, slips, glaze and firing wood, which are included in the course fee.

What students need to bring

  • Ideas, questions, enthusiasm!
  • Strong gloves for handling bricks and wood (and welding gloves if you have them)
  • Dark sunglasses may be useful when firing
  • Clothing suitable for firing a kiln during the day and evening. Suitable clothing of cotton materials for the kiln building and firing (not manmade fabrics) is ESSENTIAL, i.e. long trousers/jeans/long-sleeved tops and sturdy covered shoes/walking boots and waterproofs.
  • Any of your own special tools you particularly like to use (pottery tools, pottery knife) – basic tool kits are provided in the pottery for use on the course.
  • An apron
  • A torch
  • Raku tongs are provided but extra tongs are always useful if you have any you like to use.
  • Cardboard boxes and wrapping/packaging for moving your pots and taking pots home.
  • Clean plastic shopping bags

Available to buy

Available from shop: Pottery tools, pottery knife (basic tool kits are provided in the pottery for use on the course) Rough paper, notebook, or sketch pad and pencil Wood or plastic ruler

Additional information

Please wear appropriate clothing/aprons for the workshop or studio, this includes stout covered footwear (no sandals or open toes).

Timetable

Arrival day
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration
6.45pm: Welcome, followed by dinner (included)
8 - 9pm: First teaching session, attendance is essential

Daily timetable
Course teaching 9.15am - 5pm (lunch included)
Dinner: from 6.30pm (included for residential students)
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed

Departure day
Course teaching: 9.15am - 3pm (lunch included)
Residential students will need to check out of rooms by 10am

Please note, the tutor may make slight variations to the daily timetable as required

General Information

Tutors

Ben Brierley

Ben has had articles published widely and is the author of “Firing kilns”.

Accommodation

Residential option available. Find out accommodation costs and how to book here.

Courses of interest

Exploring Japanese pottery

28 to 31 Mar 2025 | West Dean
2 places available
Tutor: Rie Tsuruta |
Beginners/Intermediate
£535

Throwing and turning – developing technique

24 to 27 Apr 2025 | West Dean
Places available
Tutor: Jo Taylor |
Intermediate
£538

Make a ceramic breakfast set – using formers with decorative techniques

27 Apr 2025 to 1 May 2025 | West Dean
Places available
Tutor: Helen Johannessen |
Suitable for all
£713

Sculptural functional ceramics

12 to 16 May 2025 | West Dean
Places available
Tutor: Timothy Copsey |
Intermediate/Advanced
£698

Further study options

Take the next step in your creative practice, with foundation level to Masters in Fine Art study. 

Depending on your experience, start with an Online Foundation Certificate in Art and Design (one year, part-time), a Foundation Diploma in Art and Design made up of 10 short courses taken over two years (part-time) or advance your learning with our BA (Hons) Art and Contemporary Craft: Materials, Making, and Place (six years part-time). All will help you develop core skills, find direction in your practice and build an impressive portfolio in preparation for artist opportunities or higher-level study. See all degree and diploma courses.