Create showstopping pictures and explore the huge creative potential of macro and close-up photography, leading to visually arresting images that encourage the viewer to see the world anew.
Close-up and macro photography requires the adoption of a childlike curiosity. By studying a subject in detail you begin to understand its intricate beauty – you notice the subtle curve of a shell on a beach, for example, or the complementary colours of two flowers in a garden. What's more, by remaining receptive you allow the subject to dictate your approach, leading to visually arresting images that encourage the viewer to see the world anew. Flowers, insects, intimate landscapes and manmade objects will all be covered, with tips and tricks to help you perfect your technique and create show stopping pictures.
If, for example, the shell has a flaw that threatens to spoil your picture, you can adjust yourself or your technique to play down or eliminate the imperfection. Similarly, if flowers are blowing in the wind, you can create a homemade windbreak to arrest their movement. These are just some of the many techniques we will be exploring during the course.
While you learn to respond to the subject, you need to also understand how to control as many of the variables as possible. Through a series of practical exercises, you will learn how to make the best of the opportunities presented, resulting in unique, meaningful pictures.
One of the many joys of close-up and macro photography is the size of the stage on which we perform. While landscape photographers sweat and stress over the shape of a tree or the condition of foreground flowers, close-up and macro photographers have the advantage of working on a much smaller scale. During the course you will learn how to maximise the potential of this mini stage.
Close-up and macro photography is not without its challenges. Many great images appear to have been created without effort, but in reality they are the result of good photographic technique, combined with personal style and vision. The course wil cover how to use the equipment at your disposal, whether a top-of-the-range DSLR, compact or camera phone to best communicate our vision.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops until 9pm, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
What students need to bring
- Fully working digital camera and lens (a dedicated macro lens is preferable, but any lens that allows close focusing and manual focus will suffice) or a camera phone
- Fully charged camera batteries (and charger if possible)
- Camera/phone-to-computer cables
- Camera instruction manual (if available)
- Tripod (if available) and any accessories you commonly use for photography
- Pen and paper
- Clothing suitable for working outdoors: walking boots or waterproof shoes, warm, waterproof trousers (if possible)
- USB stick
- Plenty of empty memory cards
- Bring a note of your own Adobe ID login. If you don’t already have one, please register for a free account at www.adobe.com prior to the course, and remember to bring the details with you.
Available to buy
- Available from shop:
- USB memory sticks
Please note: You need a basic understanding of how your camera works, a lens that allows close focusing and a tripod or other firm support. We may be carrying out basic adjustments in Adobe Photoshop and/or Lightroom, but minimal instruction will be given in post-processing.
Please wear appropriate clothing/aprons for the workshop or studio. This includes stout covered footwear, i.e. no open-toes or sandals, and safety boots, if specified.