Drawing is a primal act. Our most primitive experiences of drawing were formed first in the body, and then in the cave. Projection also has a long history, from the story of Platos Cave to the Phantasmagoria of magic lanterns, hi-tech urban illuminations and dreams.
This course will introduce you to projection equipment, materials, techniques, a range of optical instruments and different approaches to drawing and sculpting with light. The emphasis will be on playful creativity and experimentation, enjoying the fantastical aspects of imagination.
On the first evening, we will embark on a walk by torchlight just before bedtime, through West Dean College and Gardens, exploring sites and themes to work with. How can light reveal and conceal? How can drawing with light be sculptural and performative? What happens when we play with perspective and pictorial space, working beyond the frame and screen?
You will work with digital and analogue drawing and projection techniques in the studio, followed by experimentation in the historic interiors of West Dean College. You will make your own image-projecting slides and screens with a range of supports from found objects to plastic, glass, fabric, wax and water. You will explore light-absorbing and light-reflecting materials, gathering a range of digital footage as you go. On the following evening, you will have an exciting group screening, interacting with the environment of West Dean as the darkness comes in.
The course will include a talk and discussion exploring the rich history of artists, scientists and thinkers working with light and darkness as material and metaphor, introducing the science of vision and perception. Artists include Lilianne Lijn, James Turrell, Athanasius Kircher, Olaffur Elliasson, Lis Rhodes, Anthony McCall, Lindsey Seers and many more.
We will be asking questions like:
- Can you project darkness?
- Can perception be a medium?
- Is light a material?
You will leave the course with a diverse range of outcomes, including a deeper understanding of the history and techniques of projected art works and installation, more confidence in drawing and sculpting your surroundings with light, a handmade optical instrument/toy and photographic documentation of your own projection work in situ.
Please note, we will not be working with 16 mm movie film.
Included
On this course the College will supply some equipment, including digital projectors, overhead projectors and slide projectors to use during the course.
The College will provide some material, including cartridge paper, tracing paper, glue, black marker pens, Indian ink, black acrylic paint, acetate sheets, glassed 35 mm slide mounts.
What students need to bring
- A memory stick to save your work onto (2GB minimum). If you have your own laptop or camera with you, you may also wish to bring an SD card.
- Please bring mobile phones/iPads with charging leads (If you have an iPad you may wish to install ProCreate which is a cheap drawing app but this is not essential.)
- Any torches/head torches/other battery operated portable lights, LED or other
- Sellotape
- A mixture of marker pens from thin to thick – coloured and black
- A craft knife, a palette, coloured acrylic paints and/or inks/watercolours if you have them
Don’t worry if you can’t find everything as there will be some spares available.
Further materials:
- An old white sheet
- A few recycled transparent/translucent plastic containers (bottle, dish etc.), thicker flat rectangles of plastic from food packaging windows, etc.
- Coloured cellophane from sweet wrappers, etc.
- Samples of net e.g. sheets of muslin, voile, nets for fruit, etc.
- Sheets of card, toilet rolls/tubes, cardboard boxes – could be small or larger
- Any mirrors, prisms, lenses, etc.
- String, threads, fishing line if you have it
- Screw in hooks and eyes
- Thicker flat rectangles of plastic from food packaging windows, etc.
- Any optical instruments you would like to show to the group
- Anything else you think works well with light and shadow
Available to buy
Available from shop:
A good selection of art materials, including A1 cartridge paper, A1 tracing paper, paints, inks, acetate sheets and permanent marker pens/fineliners
Additional information
Wear appropriate clothing/aprons for the workshop or studio, this includes stout covered footwear i.e. no open-toes or sandals.
Arrival day
Residential students can arrive from 4pm, non-residential students to arrive by 7.15pm for registration. Students arriving earlier are welcome to purchase dinner in the College Dining Room from 6pm.
Students meet their tutor in the Bar at 7.30pm prompt to go to studios.
First Teaching session: 7.30pm - 9pm (attendance is essential)
Daily timetable
Course teaching: 9.15am - 5pm
Morning session: 9.15am - 12.45pm including coffee/tea break
Lunch break: 12.45pm - 2pm*
Afternoon session: 2pm - 5pm including coffee/tea break
Teaching finishes: 5pm
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed.
Departure day
Course teaching: 9.15am - 3pm
Teaching finishes: 3pm
Residential students will need to check out of rooms by 10am.
Please note, the tutor may make slight variations to the daily timetable as required.
*Lunch can be purchased on campus, view options
