Fine Art
The Graduate Diploma in Fine Art is a one-year interdisciplinary programme designed to provide a route into postgraduate study. As a concentrated form of an undergraduate degree, the programme gives graduates of other disciplines the opportunity to transfer existing skills to the study of Fine Arts. As you progress through the programme, you can work across disciplines or choose to specialise in areas such as Painting and Drawing, Sculpture, or Tapestry and Textile Art.
Studio Work units run continuously throughout the academic year as the core of the Graduate Diploma programme, informed and enhanced by additional theoretical and professional units.
A variety of materials-based workshops are undertaken in the first semester, focused by critical engagement with the Ronald Lee Archive, a unique archival resource of visual and material culture that promotes the production of new artworks for a 'pop-up' exhibition.
A series of lectures and seminars introduces Philosophical Aesthetics and supports the writing of a critical essay.
The second semester incorporates Contextual and Professional Research, helping students to situate their own practices in a historical and contemporary context. The year culminates in a Summer Show open to the public.
Learning environment
You can expect
Each year students stage a series of public exhibitions, including an annual fundraising exhibition and the celebrated Summer Shows that are held at the College and in London. Through these students develop skills in the requirements of exhibition management, such as production, installation and marketing.
The West Dean Summer Show offers an opportunity for students on our Graduate Diploma and MFA qualifications to showcase their talents in a diverse range of practices including sculpture, installation, print, painting, film, ceramics, and textiles.
The Artist-in-Residence programme sees a series of professional artists living and working onsite, amongst Visual Arts students. They offer tutorial sessions with students as well as public presentations on the work produced during the residency and their wider practice.
Explore and expand your work in a uniquely immersive environment with its own connections to art history. Our School of Arts students enjoy specialist studio spaces dedicated to painting and drawing, sculpture and tapestry and textile-based work as well as exceptional exhibition space.
2025/26 Course Fees - UK & International Students
Lunch, accommodation and other living expenses are additional. Find out more
A £250 course fee and £200 accommodation deposit (if residential) is required to secure your place. Details will be provided to you in your offer. Fees are billed termly in advance. Please see the Terms and Conditions for further information.
We may routinely increase our course fees from year to year for one-year courses as well as courses lasting two or more years and may review and change such course fees without notice.
Funding
Scholarships and bursaries are available.
A qualification equivalent to a second year of successful undergraduate study e.g. HND, DipHE
A relevant Foundation Degree in Fine Art or related subject
Portfolio: presenting a concise overview of the development and current focus of your practice, including sketchbooks, journals and an example of written work
English language: CEFR (Common European Framework of Reference for Languages) Level B2 or IELTS 6.5
Do you need help creating a portfolio to apply for Graduate Diploma Fine Art? Read our portfolio advice to learn about the general requirements, what we look for in a good portfolio, and what it should reflect.
If you only wish to apply to West Dean, please complete the application form below and email to [email protected]. If you are applying to more than one institution, please apply through UCAS.
Any questions?
Email [email protected]; call us on: (01243) 818 300 and select option 1, or read more about our Admissions processes.
Commendations from the University of Sussex include:
"The high quality student experience and strength of student representation within the College."
"The changes to units so they draw on and make use of specific collections within the archive."
"The linking of theory and practice, and delivery of theory by studio technicians."
At the end of last term, Fine Art students visited the West Dean Archive to see some of the unrealised stained-glass window designs commissioned by College Founder Edward James in the aftermath of the fire that destroyed St Andrew’s church on 26 November 1934. After the blaze, all that remained of the 300-year-old church were the four walls, the tower and one of the existing windo...
We are delighted to have recently received a generous donation of Salvador Dalí lithographs by the family of the late John Crowley. John Crowley’s daughter, Karen Gardner, is an alumna of West Dean College of Arts and Conservation, having graduated with an MA Visual Arts in 2008 (now Master of Fine Art). The lithographs include four works from the Papillons Anciennes series an...
As she heads into her second year on the MFA programme, Chantal New reflects on her experiences on the programme so far, including the significance of receiving a bursary to fund her studies.
Insights into the practice of MFA student Philippa Clarke My ongoing research focuses on the areas where art and agriculture come together. By paying attention to this intersection, I aim to prompt questions about farming, food production, and the way we regard rural life.
By Robin Bray-Hurren, MFA student Law Quilt was a response to some of the materials from the Edward James Archive, where Edward James was writing about homosexuality, morality, and the law, including a description of a friends' experience of police entrapment and subsequent court case in LA in the late 1950s. There were so many potential places to take work in response to ...
By Dr. David Stent, Fine Art Subject Leader At the beginning of the year, through the support of Mary Dalton (printmaker and West Dean Short Course Tutor), it came to our attention in the Fine Art department that there was a possibility of a floor-standing etching press being donated to us. Without knowing any further details, we expressed our interest in adding to the existing printmaking f...
Subject Leader - Fine Art
Dr David Stent is an artist, writer, curator and performer. His practice has drawn on various media, from drawing and painting to film, video, sonic and sculptural installation. He holds a PhD in Fine Art from the University of Reading, and is a Fellow of the Higher Education Academy.
Subject Tutor - Tapestry, Fine Art
Studio Leader - West Dean Tapestry Studio
Philip Sanderson is Leader of the Professional Tapestry Studio and a Subject Tutor on the MFA in Fine Art. He is also the Tutor for the Tapestry Foundation Diploma and a short course tutor. During his time at West Dean Philip has translated the work of a number of artists into large-scale tapestries including Marta Rogoyska, John Hubbard, Tracy Emin, and Eva Rothschild.
Programme Coordinator - BA (Hons) Art and Contemporary Craft
Subject Tutor - Fine Art
Sarah Hughes is the Programme Coordinator for the BA (Hons) Art and Contemporary Craft, and a subject tutor on our Fine Art programmes. Sarah, is an artist and composer with an interest in spatial practice.
Subject Tutor - Fine Art & Art and Contemporary Craft
George Charman is an artist and lecturer based in London who teaches on the GD and MFA programmes at West Dean College of Arts and Conservation. Charman's practice-led research focuses on embodied social knowledge, exploring connections between dialogic social experiences and physical sensation in modes of creative production/fabrication.
Subject Tutor - Fine Art
Jon K Shaw is a writer, editor and educator based in southeast London. He teaches in the Department of Visual Cultures at Goldsmiths, University of London; City & Guilds of London Art School; and West Dean College of Arts and Conservation.