Introduction to portrait heads in terracotta with Jon Edgar

Ref: S1D40257

Location: West Dean
£220

Places available

About this course

An introduction to the process of working with clay to make a life-size portrait, working directly from the model.

Course Description

Working from a model, you will experience modelling a portrait head in clay and prepare a mask for firing at the College after the course.

The tutor will introduce you to the process for making a life-sized clay portrait, working directly from the model. You will learn to improve your observation skills and recognise the factors which affect how you use your eyes effectively. You will create a portrait mask which can be kiln fired after the course. You will experience working in the round, directly from the seated model, and gain an understanding of the practical requirements necessary for observing and modelling a portrait.

You will have the option to purchase your head-peg armature and/or take your complete head home unfired. Works left for firing will be ready for collection about 6-8 weeks after the course ends.

To be successful on this course, you do not need to be able to draw or sculpt, just be enthusiastic about trying a little of everything.

NOTE: This course pushes the boundaries of what is possible with a full day model sitting. You will NOT have time to hollow/process the whole sculpted clay head and as it has no time for the surface to dry, this would be unwise. Hence if you wish the head to stay "as one”, in the round, for firing, please book on the longer 3 day course when the technique is explained and practised over a period of hours after the heads sit uncovered overnight.

The mask form, to allow wall hanging or a more complex mounting, is quick and easy and will take place in the last 30 minutes of the taught day. It is a simple cheesewire cut from the post and rudimentary hollowing takes place of the still-damp clay. OR if you wish to take full head away you will either need to purchase your headpeg armature to which it is attached, bring your own armature OR slice it in half at end of the day and take the two halves [from our armature] unhollowed for your later working/rejoining.

Course Materials

Included

All the materials and tools will be supplied for the course, including clay, head-peg/armature, modelling stand, modelling tools, hollowing tools and a model.

What students need to bring

Comfortable footwear and clothing that you don't mind getting clay on and that is not too restrictive for movement while working. Come with an open mind.

Available to buy

Available from shop:

  • General drawing equipment and some modelling tools

Additional information

Firing your work:

  • Please note that your work will be kept for collection for six months from the date we inform you work is ready for collection.
  • Firing of raw, finished pieces: You have two options:
  • Leave any raw, finished pieces that you wish to keep, for biscuit firing by the College, for collection within six months.
  • You take away your unfired work for firing elsewhere.

Please wear appropriate clothing/aprons for the workshop or studio. This includes stout covered footwear, i.e. no open-toes or sandals.

Timetable

Student registration: 9.15am-9.30am  
Course teaching: 9.30am-5pm  
Morning session: 9.30am-1pm  
Lunch break: 1pm-2pm (lunch included)  
Afternoon session: 2pm-5pm  
Teaching finishes: 5pm  

General Information

Tutors

Jon Edgar

The Portrait Head in Terracotta 3 day course has been running at West Dean since 2005. Jon’s experience creating bespoke sculpture courses for UCA, Canterbury, Yorkshire Sculpture Park and The Sainsbury Centre for the Visual Arts relates to core observational skills and the (lost) language of form and mass once taught to art students like Barbara Hepworth and Henry Moore.

He is presently creating a posthumous head of Fanny Cornforth, the pre-Raphaelite muse of Rossetti, and continuing the Environment Head Series, portraying those who contribute to our continuing life on earth.

He trained at the Frink School of Sculpture after attending Exeter and London Universities. His public works can be seen on Art UK: https://artuk.org/discover/curations/a-virtual-private-view-with-a-living-sculptor

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Further study options for art craft and design short courses

Further study options

Take the next step in your creative practice, with foundation level to Masters in Fine Art study. 

Depending on your experience, start with an Online Foundation Certificate in Art and Design (one year, part-time), a Foundation Diploma in Art and Design made up of 10 short courses taken over two years (part-time) or advance your learning with our BA (Hons) Art and Contemporary Craft: Materials, Making, and Place (six years part-time). All will help you develop core skills, find direction in your practice and build an impressive portfolio in preparation for artist opportunities or higher-level study. See all degree and diploma courses.