Learn to observe winter plant forms closely, in their individual details and their broader gestural qualities. Beginning by looking at drawing, using both line and tone and composition, you will quickly move on to painting using watercolour as an expressive medium, rather than as a means of creating analytical botanical studies.
Watercolour is at once challenging and richly rewarding as a medium. You will be experimenting and immersing yourself within the possibilities of finding balance between having control and being playful. You will be inspired by a selection of cut seasonal plant forms and dried flowers, learning when to be precise and when to ‘let go’ into what happens.
Drawing, painting and being with flowers unveils a compelling world of colour and harmony, of transience and silence. By closely observing plant forms, discover how, as Sue Stuart-Smith says
“Beauty leaves a trace in the mind that somehow survives its passing”
– Sue Stuart-Smith (Author of “The Well-Gardened Mind”)
By embracing the fluidity of watercolour, you may then work towards finding your individual way of expressing this and begin to forge an authentic artistic voice.
You will finish this course having created an individual body of drawn and painted studies and by having explored ways in which responding to transient beauty may become expressed in your work.
Included
- On this course, the college will supply some of the materials, including: drawing and watercolour paper, palette, masking tape, masking fluid pen, wax resist stick, gum Arabic, sponges and plant forms.
What students need to bring
- Charcoal, putty rubber, fixative (or hairspray)
- Brushes – synthetic watercolour brushes, a range of sizes from 0 - 10 e.g. Pro Arte set
- Plus, at least one larger mop brush, e.g. Pro Arte One Stroke Brush (2inches)
- Watercolour paints – your tutor recommends sets as these are good value, for example:
- Set of Winsor & Newton watercolour 12 tubes, or ‘Gansai Tambi’ set of 24 colour large pan set.
- The colours your tutor prefers to use are: Lemon Yellow Hue, Cadmium Yellow Hue, Cadmium Red Pale Hue, Yellow Ochre, Alizarin Crimson Hue, Dioxazine Purple, Ultramarine, Cerulean Blue Hue, Sap Green, Green Gold, Burnt Sienna, Burnt Umber, Paynes Grey, Neutral Tint, Chinese White
- You may also bring any watercolour paints and brushes that you already have/use.
Available to buy
- Available from shop:
- The shop stocks a good selection of art and craft materials, including: watercolour paints in tubes, pans and sets, watercolour paper, drawing paper and sketchbooks, drawing materials including charcoal, putty rubbers, fixative, a good selection of brushes, including mop head 2 inch brushes and natural sponges.
Additional information
Please wear appropriate clothing/aprons for the workshop or studio. This includes stout covered footwear, i.e. no open-toes or sandals.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Daily timetable
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops until 9pm, but only with their tutor's permission and provided any health and safety guidelines are observed.
Last day
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)