West Dean is operated by The Edward James Foundation, a registered charity comprising West Dean College (including the School of Arts, School of Conservation and KLC School of Design), West Dean Gardens, West Dean Estate and West Dean Tapestry Studio.
The Edward James Foundation which runs West Dean was established in 1964. It is a charitable company limited by guarantee registered in England and Wales. Company no. 6689362 and Charity registration no. 1126084.
The members of the Board of Trustees are:
Professor O'Prey is former Vice-Chancellor of Roehampton University, which went from strength to strength under his leadership. In his previous role as Director of Academic Affairs at the University of Bristol, he played a major part in the development and implementation of academic strategy in both research and education.
Professor O'Prey read English Language and Literature at Keble College, Oxford and gained his PhD from Bristol. His publications include several books and articles on writers of the nineteenth and twentieth century, notably Graham Greene and Robert Graves and his circle, as well as translations of Spanish literature. Professor O'Prey joined the Board of Trustees in 2015.
Caroline moved to the UK from Australia when she married, and read for the Bar at the Inner Temple as a mature student. For many years she sat as a magistrate working in the adult and family courts. She has been a Governor for both secondary and tertiary education boards and has a lifelong interest in art and the creative crafts. Caroline Griffith became a Trustee in 2014.
Francis Plowden is a chartered accountant and was a partner at PricewaterhouseCoopers until 2000. Since then he has been a Board member in the private, public and voluntary sectors, including eight years as Chairman of the Greenwich Foundation for the Old Royal Naval College. He is a Trustee of the Anna Plowden Trust, which promotes skills in and awareness of conservation of the moveable heritage. He has also been Chairman of the National Council for Palliative Care, a Commissioner of the Judicial Appointments Commission and a Board member of the Serious Organised Crime Agency, as well Boards in the private sector. Francis Plowden became a Trustee in 2014.
Director of Development and Policy at Southbank Centre, whose cultural offering exemplifies London's global relationships, attracting world-class artists and 10 million visitors to its summer festivals programme alone.
Martin is an architect in private practice specialising in historic building conservation. Based in Twickenham, Martin's Practice of architects and surveyors assists clients and occupiers in the conservation and management of significant historic building estates, advising and enabling the repair, adaption, and development of historic properties to serve the ongoing needs of client organisations in the 21st century. Martin and his Practice are privileged to have worked over many years with The Royal Household, The Crown Estate, Royal Parks Agency, Historic Royal Palaces, The English Heritage Trust, and City of London Corporation amongst other government and local government agencies and charitable trusts.
Martin Ashley is Surveyor of the Fabric to the Queen's Free Chapel of St George in Windsor Castle, to the Old Royal Naval College Greenwich, and to St Bartholomew the Great in the City of London. Martin is a member of Historic England Conservation Committee, and an active Liveryman of the Worshipful Company of Masons.
Naomi Davenport is the Managing Director at London Craft Week, a city-wide festival celebrating creativity and exceptional craftsmanship from around the world.
With 12 years of experience in the cultural sector spanning craft, design and contemporary art, Naomi is interested in the dialogue between these sectors, particularly the manner in which craft practices and design thinking together can drive radical solutions.
Prior to joining London Craft Week, Naomi worked across India, Sri Lanka and Singapore, where she celebrated the depth of craft heritage in South Asia and Southeast Asia through a diverse range of international programming across an array of design disciplines.
Naomi is a graduate of the Courtauld Institute of Art.
Ghazwa’s 37 year career has spanned senior roles in the public, private and not-for-profit sectors. Ghazwa has a PhD in Architectural Engineering, and is a Chartered Civil and Structural Engineer. She has extensive experience in the Higher Education sector and is currently Chief Operating Officer at the University of Bath. Before that she was first, Director of Property and Facilities Management, and then Pro Vice-Chancellor Strategy, Planning and Partnerships for the University of London, and Chief Operating Officer at Queen Mary University of London.
Ghazwa has acted as custodian to listed historic estates and listed grounds both in the HE sector and in the NHS and brings a passion for conservation and knowledge of estate master planning, facilities management and major capital projects developments.
Kevin Edgeley is a 40-year veteran of the financial sector with broad experience in investment research, portfolio management, hedge funds and family office wealth.
Kevin gained a Masters in Finance from the London Business School, is a CFA charterholder and a Chartered Fellow of the Institute for Securities and Investments. He is a lay member of the Chichester Diocesan Synod and sits on their Asset Committee.
Ray Shostak is a US/UK Citizen and an international adviser in government performance, public service reform and education. He was Head of the Prime Minister’s Delivery Unit, Director General Performance, and member of the Board of Her Majesty’s Treasury from 2007 - 2011.
Previously, Ray served as Director of Public Services at HM Treasury and has held senior roles in local government. Additionally, Ray is the Chair of the Rees Centre at Oxford University and a Visiting Professor at Queen Mary University of London.
He has been Member of the Board of the National Audit Office; a member of the British Academy Public Policy Committee; a Founding Trustee of the UK governments ‘What Works’ Early Intervention Foundation; the Chair of Trustees of the Consortium of Voluntary Adoption Agencies; and an Affiliate of the Bennett Institute for Public Policy at Cambridge University. Ray was awarded an Honorary CBE for services to education by HM Queen in 2005.
Yen-Yen is the founder of Emulsion, a London-based practice designing architecture and interiors for commercial and private residential, retail, hospitality and workplace clients over the last three decades. Their sibling studio Immiscible specialises in museum, temporary exhibition and installation design.
They trained in architecture at the University of Cambridge and UCL, and have been a tutor, examiner, critic, speaker and judge for institutions and organisations including UCL, Regent’s University, Interior Educators, Greenwich Peninsula and LDF.
Yen-Yen is also an interdisciplinary artist with a lifelong interest in craft and making, from welding to textiles, and employs techniques including hand embroidery, field recordings and performance. They are a champion of diversity and inclusivity especially in the creative sector and are part of the arts organisation Kakilang and the community group ESEA Sisters. Yen-Yen is a member of the Twentieth Century Society and the Crafts Council and became a Trustee of West Dean in 2023.
West Dean is run by an Executive Leadership Team led by the Chief Executive. Together they take responsibility for every aspect of the smooth day-to-day running of the organisation. This includes teaching and research, student and staff recruitment and welfare, financial management, campus services, estate management and fundraising.
Anna joined West Dean in January 2025 from the University of Roehampton, where she held the post of Deputy Vice-Chancellor & Provost for six years.
With over 30 years of experience in higher education, Anna has an impressive track record of successful academic leadership. At Roehampton, her responsibilities encompassed education, research, external engagement, partnerships, academic development and sustainability. She studied history of art, design and architecture at the University of East Anglia, and gained her PhD from the University of Birmingham. Her research focuses on representations of the feminine in contemporary culture.
Ian’s experience lies in creating opportunities and developing ideas to viability in land, buildings and complex operations, alongside delivering quality visitor experiences in high volume venues, facilities and outlets.
He has over 10 years’ experience of strategic leadership in land, estate management, sustainability, facilities & services including oversight of projects in Estates, Education and charity sectors. A further 15 years management experience in high-calibre and fast paced hospitality in the commercial private sector.
At West Dean, Ian leads the campus buildings, facilities, services and facilities alongside the wider 6,400 acre Estate including Gardens and West Dean’s sustainability activities.
Our mission is to provide the highest quality education in arts, design, craft and conservation. Our vision is to be internationally recognised as a centre of excellence.
Our schools of arts, design and conservation offer a uniquely broad range of world-leading courses. At the heart of all we do, is our belief that 'making' makes our lives better. We celebrate the intrinsic value of work that has been hand-made by artists and artisans, and challenge the assumption that mass-produced must be the only way because, across the world, the maker movement is growing.
From online courses to postgraduate degrees, our student cohorts reflect the interests, backgrounds and aspirations of a global community. Guided by experts, who are often leaders in their field, our students are encouraged to develop their practice and reach their true potential.
Our London and Sussex campuses connect our students to the city and countryside, providing inspiring study environments and state-of-the-art studios across all our disciplines, helping to forge collaborations and discover their creative voice.
Whether you are conserving or crafting, discovering or designing, make your mark at West Dean.
2024: 22.2.2024, 16.05.2024, 27.06.2024, 17.10.2024, 5.12.2024
2023: 9.2.2023, 18.5.2023, 26.6.2023, 19.10.2023, 7.12.2023
2022: 11.2.2022, 13.5.2022. 1.7.2022. 14.10.2022, 9.12.2022
2021: 12.2.2021, 19.3.2021, 14.5.2021, 9.7.2021, 15.10.2021, 14.12.2021
2020: 14.2.2020, 1.5.2020, 19.6.2020, 31.7.2020, 18.9.2020, 16.10.2020, 8.12.2020
Across the School of Arts and School of Conservation, the role of research is essential in underpinning the College's academic ambitions, helping West Dean to be at the forefront of the specialisms it supports, positively impacting it as a teaching and learning environment. Research projects are key to establishing new and innovative practices, emphasising the importance of skills-based making and conservation, as well as demonstrating the value and scope of interdisciplinary collaboration. Research at West Dean College not only benefits students, staff and specialist audiences but also wider academic communities and the public.
The College is privileged to be on a site of historic significance, both in relation to the heritage of the West Dean Estate and its more recent associations with the life and work of its founder Edward James.
You can find out about the specific research groups here.
