![Masters in Conservation of Clocks course at West Dean](https://assets.westdean.ac.uk/images/block_16x9--medium/409567-conservation-of-clocks-course-at-west-dean-creditthom-atkinson.jpg)
Conservation Studies
The MA Conservation Studies equips you with the high level specialist skills sought by the conservation sector. For students of English, History, Archaeology and varied Humanities disciplines Conservation offers an exciting career.
This rigorous and highly respected programme draws on an extensive sector network, nationally and internationally, including industry bodies such as Icon. The Masters in Conservation Studies is the global industry standard for conservation, and our alumni work in many of the most prestigious museums, archives, libraries and private practices across the world.
The course focuses on research through practice. You will draw on theoretical, scientific, and analytical study of artefacts and materials, and analyse the context and practice of conservation. MA Conservation Studies students deliver a major final research project.
Elements of interdisciplinary work are involved, but you will choose from one of the specialisms below:
All disciplines are accessible from both humanities and science study backgrounds.
Kirsten Ramsay of the BBC's The Repair Shop studied Conservation of Ceramics between 1989-1991 and shares her experience and memories of studying at West Dean.
Learning environment
You can expect
The content of this programme has been developed in line with the Institute of Conservation's Professional Standards in Conservation and the UK Quality Code for Higher Education.
Take a tour of the Analytical Lab
Take a tour of the Analytical Lab
Work placements
The College’s extensive links with museums, conservators and professional bodies in the heritage sector in the UK, EU and internationally, opens up an impressive range of opportunities for the six week work placements that MA Conservation Studies students typically undertake.
Recent placement host institutions include:
Find out where our current MA Conservation Studies undertook their placements in a new blog post.
Careers
From the MA, alumni work with public and private collections and include professional conservators in high profile museums and libraries nationally and internationally. Some pursue a career path into collections care, or work as independent conservators, advisors or tutors. Alumni have gone on to work at:
Image: Tabea Rude Aluma, Photo Credit Michael Goldrei. Tabea is the Dynamic Objects Conservator at the Wien Museum, (Vienna Clock Museum, Austria) and looks after a collection of around 4,000 clocks.
Our School of Conservation offers a dynamic, internationally connected and respected learning environment where students benefit from the unique opportunity to study in a working historic house. Students enjoy access to well-equipped professional workshops, studios, and a state-of-the-art analytical laboratory.
Course fees are the same for UK and international students
Lunch, accommodation and other living expenses are additional. Find out more
A £250 course fee and £200 accommodation deposit (if residential) is required to secure your place. Details will be provided to you in your offer. Fees are billed termly in advance. Please see the Terms and Conditions for further information.
We may routinely increase our course fees from year to year for one-year courses and may review and change such course fees without notice.
Postgraduate loans
If you are a UK student and plan to take a postgraduate Master's course you may be able to get a postgraduate loan of up to £12,167 to help with course fees and living costs. See www.gov.uk/funding-for-postgraduate-study
Student scholarships and bursaries
Scholarships and bursaries are available from £500 to £10,000.
Progression from the Graduate Diploma in Conservation Studies to Masters requires successful completion of the graduate programme with a good pass.
Applicants with conservation experience and scientific knowledge equivalent to the Graduate Diploma in Conservation Studies may enter directly on to the Masters programme, in which case an upper 2nd class or above UK Honours degree in an appropriate subject or a non-UK equivalent is required. Alternatively, accreditation of prior experiential learning (APEL) will be considered for those who have been out of formal education for some years and are over 21, who do not meet the general (minimum) entrance requirements, but who can demonstrate practical skills or evidence of practical interests and research and writing abilities commensurate with BA level.
International students will require English language CEFR (Common European Framework of Reference for Languages) Level B2 or IELTS 6.5 or above.
Applications for this course can be made by submitting a completed application form and emailing it to: [email protected].
Any questions?
Email [email protected]; call us on: (01243) 818 300 and select option 1, or read more about our Admissions processes.
Commendations from the University of Sussex include:
"This re-validation further builds on the success of the courses, which have been refined over a number of years to produce excellent results."
"The professional networking opportunities provided through external collaborations and the opportunities for students to disseminate their work to an external audience."
Students on the MA Conservation Studies choose one of the following pathways to specialise in when they apply:
To be eligible to study on the Masters programme, you need to have a good honours degree PLUS experience in the relevant conservation specialism. Using Metals as an example, we would expect MA applicants to be familiar with Metals and have worked in that specialised area for a few years. You would be expected to demonstrate familiarity and experience with Metals in your application and supporting portfolio. If you don’t have this experience, we would recommend you apply for the Graduate Diploma.
A portfolio should demonstrate your interest and experience in conservation and your chosen specialism. It can comprise sketches, photos, video evidence of you working in a conservation environment with your hands using materials such as Books, Metals, Furniture (relevant to your chosen specialism). Read our portfolio advice to learn about the general requirements, what we look for in a good portfolio, and what it should reflect.
You are asked to complete a task using workshop tools so we can see that you have the right level of mental agility and manual dexterity to undertake the practical elements of the course. Assessments take place onsite at the College workshops or remotely when it is not possible to come into the College.
We caught up with Amy Tsao and Manisha Agarwal, three years on from completing the Diploma HE in Applied Interior Design. Here they tell us about founding their interior design business, Studio AM, in West London; the project that they worked on during their studies at KLC School of Design and has now been brought to life; as well as sharing their advice for aspiring interior designers. Find out more
By Conservation studies student, Katherine Hernon-Johnson, who specialises in Metalwork
I come from a fine art background and graduated in 2020. I specialised in sculpture exploring drawing within the theme of nature; cycles and folklore. It is subsequently where I first learnt to weld before spending time in a garage during lockdown practising my welding an...
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Can you share a bit about your journey and how you got started with marbling?
I have always loved colour...
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What drew you to jewellery and silversmithing when you app...
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Can you tell us a ...
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Programme Coordinator and Subject Leader for Ceramics (and Related Materials)
Lorna has been a tutor then Subject Leader at West Dean College of Arts and Conservation for 16 years and prior to that was employed as a conservator in national institutions and in the private sector.
Subject Leader, Clocks (and Related Objects)
Malcolm's extensive experience in private practice, as well as the heritage sector/museums, lies behind his in-depth understanding of the profession. He brings a comprehensive knowledge of traditional craft skills, theory and contextual history. He also has an interest in new and innovative ways of applying conservation to mechanical objects.
Subject Leader Books and Library Materials
Karen Vidler FIIC is a book and paper conservator and bookbinder with over 25 years’ experience working as a conservator and bookbinder in the United Kingdom and Australia. She has worked at The National Archives, V&A Museum and the Leather Conservation Centre.
Subject Tutor, Books and Library materials
Maudie is a book and paper conservator and bookbinder. Having worked a various institutions and companies over the years, including the Victoria & Albert Museum and The National Archives, Maudie now works for herself, taking on commissions from museums, libraries, collections and private individuals. In additional to practical conservation and binding, Maudie also teaches a range of online classes in bookbinding to students all over the world.
Subject Tutor, Conservation Science
David is a book and paper conservation specialist who has tutored more than a generation of book conservators since he began as a tutor in book conservation at West Dean College in 1988. He has taught science for conservators in the UK, USA and Europe, established the analytical laboratory at West Dean College in 2007 and has been the college's science tutor for 25 years.
Subject Tutor, Clocks (and Related Objects)
Tim Hughes MBHI, clock maker, trained at West Dean College and works as a clockmaker and scientific instrument restorer, and as external consultant at Bellmans Auctioneers. He has received several awards, including the Trustees' Prize while at West Dean College and a QEST Scholarship.
Subject Tutor, Ceramics (and Related Materials)
Jasmina Vuckovic is Subject Tutor at West Dean College of Arts and Conservation. She has been a visiting lecturer at West Dean College of Arts and Conservation prior to becoming a subject tutor in 2018. Jasmina is a member of ICOM and accredited member of Icon.
Conservation Science Laboratory Tutor
Anna studied organic chemistry in Italy and her interest in academic research brought her to the UK. Her passion for research and art brought her to West Dean College, a very special and unique place where applied science meets cultural heritage.
Deborah Lee is a visiting lecturer at West Dean and freelance Metals Conservator, specialising in Arms and Armour.
Subject Tutor, Clocks (and Related Objects)
Dale Sardeson is a subject Tutor, Clocks (and Related Objects), professional clockmaker and conservator based in West Sussex. Dale is an accredited member of ICON (the Institute for Conservation).
Research Skills and Cross-curriculum Practice
Shayne Rivers is an acknowledged world expert in the conservation of furniture and Asian lacquer. She has lectured on conservation in the USA, Australia, Japan, Europe and the UK, and has been involved in the education of the next generation of conservators throughout her professional career.
Subject Leader, Conservation Studies specialising in Metalwork
Kate's background includes practicing as a solicitor before making a career change to train as a blacksmith and specialist Metals Conservator. She earned an MA in Conservation Studies from West Dean, following which she founded a small business specializing in the conservation of forged and architectural metalwork.
Subject Tutor, Books and Library Materials
Jonathan is a Library and Archives Conservator with over 40 years experience. Jonathan has worked for various institutions such as the National Archive, Hampshire Record Office and The University of Hull. Jonathan is an accredited member of ICON (the Institute for Conservation).
Subject Tutor
Phil is a BAFRA accredited conservator/restorer based in Buckinghamshire. He has twenty years experience in private practice running a small business providing a professional conservation/restoration service.
Subject Tutor Books and Library Materials
Leszek gained his Diploma in Bookbinding in 1997 and has been a Master bookbinder for the last 25 years. More recently he became a qualified book conservator. He has been in private practice in London and Poland as both a bookbinder and more recently book conservator.