Fine Art
MFA (Master of Fine Art)
Applications open
Duration: 2 academic years (36 weeks pa) full time course
Location: West Dean
Scholarships and bursaries: See available funding
The MFA (Master of Fine Art) at West Dean College of Arts and Conservation is an advanced two-year full-time masters of fine art designed to further advance students' capacities in practical, theoretical and professional domains, with an emphasis on specialist studio practice. MFA students will establish and refine core concerns and ambitions, as well as subjecting the work to critical scrutiny and self-reflection. Interdisciplinary practices are encouraged and supported, as well as those focused on a single discipline such as Drawing, Painting, Printmaking, Sculpture, Drawing, Tapestry and Textiles. You will benefit from sustained periods of studio-based activity, with dissertation requirements coming early in the second year.
Learning environment
- Large individual studio spaces
- Excellent staff-to-student ratio with regular tutorial support
- Specialised lectures, seminars and workshops with regular visiting lecturers and artists
- Expert support from workshop technicians
- Professional development - gallery visits and other external events
- Contact with a regular series of professional Artists-in-Residence
- An immersive environment with rich connections to art history, particularly Surrealism, through the legacy of College founder Edward James
You can expect
- Support in consolidating studio practice to a high standard
- Access to facilities, workshops and expertise for the fabrication of artworks relating to the individual student's ambitions.
- Large individual studios and outdoor facilities make it possible to realise ambitious work
- Opportunities for innovative approaches to studio practice so conceptual ideas can be tested and informed using selected media
- To develop originality in the application of knowledge, together with a practical understanding of how established techniques of research and enquiry are used to create and interpret knowledge in the Fine Art
- Systematic understanding and critical awareness of current debates in contemporary art practice
- To develop aptitude for professional practice, independent research or employment, including opportunities for public exhibition
MFA units include
- Studio Work units run consistently throughout the MFA programme
- Creative Research Strategies (18-weeks) - with access to the on-site Edward James Archive to develop new work and supporting research.
- Art Research and Criticality - lecture series with support in research skills
- Professional Practice - supports you in preparations for the Summer Shows and include workshops dedicated to Artist Statements, documentation, profile building and curator-led critiques.
Interdisciplinary study
Students are encouraged to collaborate with other College departments, particularly the full-time programmes in the School of Conservation, making the most of the wide range of specialist knowledge, materials and equipment that is available.
Virtual tour & gallery
Exhibition opportunities
Each year students stage a series of public exhibitions, including pop-up exhibitions, an annual fundraising exhibition and the celebrated Summer Shows that are held at the College and one other location, recently London and Margate, Kent. Through these, students develop skills in the requirements of exhibition management, such as production, installation and marketing.
As well as being encouraged to exhibit externally, both locally and nationally, during their studies, students have the unique opportunity to propose installations within West Dean House and West Dean Gardens. Project proposals are encouraged to reflect the rich heritage of West Dean and the legacy of College founder Edward James.
Summer Show 2023
The West Dean Summer Show offers an opportunity for students on our Graduate Diploma and MFA qualifications to showcase their talents in a diverse range of practices including sculpture, installation, print, painting, film, ceramics, and textiles.
Artist in Residence Programme
The Artist-in-Residence programme sees a series of professional artists living and working onsite, amongst Fine Art students. They enrich the creative learning environment by offering tutorial sessions with students as well as public presentations on the work produced during the residency and their wider practice.
School of Arts
Explore and expand your work in a uniquely immersive environment with its own connections to art history. Our School of Arts students enjoy specialist studio spaces dedicated to painting and drawing, sculpture and tapestry and textile-based work as well as exceptional exhibition space.
Fees and funding
Course fees are the same for UK and international students
- £4,160 per term (£12,480 per academic year)
Lunch, accommodation and other living expenses are additional. Find out more
A £250 course fee and £200 accommodation deposit (if residential) is required to secure your place. Details will be provided to you in your offer. Fees are billed termly in advance. Please see the Terms and Conditions for further information.
Postgraduate loans
If you are a UK student and plan to take a postgraduate Master's course you may be able to get a postgraduate loan of up to £12,167 to help with course fees and living costs. See www.gov.uk/postgraduate-loan
Student Scholarships and Bursaries
Scholarships and bursaries are available up to £3,000.
How to apply
Applications for this course can be made by submitting a completed application form and emailing it to: [email protected].
Any questions?
Email [email protected]; call us on: (01243) 818 300 and select option 1, or read more about our Admissions processes.
Commendations
Commendations from the University of Sussex include:
"The high quality student experience and strength of student representation within the College."
"The changes to units so they draw on and make use of specific collections within the archive."
"The linking of theory and practice, and delivery of theory by studio technicians."
School of Arts blog
Ceramics & Glass
18th August 2023
Completing the conservation of a 16th Century Maiolica Dish from The Russell-Cotes Museum
By Elizabeth Wells, MA Conservation Studies student, specialising in Ceramics and Related Materials
After complex decision-making surrounding the treatment of an incredible 16th Century Maiolica dish from The Russell-Cotes Museum, the journey from dull, broken ceramic to vibrant, finished object wasn’t quite over...
24th July 2023
Supporting Acts: Mounting a Suit of Maximilian Armour
By Chris Arrowsmith, Graduate Diploma Conservation Studies student, specialising in Metalwork
This spring term the metals conservation students were given a whole suit of armour to play with. It turned out to be a major undertaking over three months, but one challenge in particular interested me – how on earth to mount a heavy, free-standing suit of armour? &nbs...
31st May 2023
Student placements 2023 - Where did they go?
Each year, students on the MA Conservation Studies programmes undertake a six-week work placement in industry as part of their studies. The College’s extensive links with museums, conservators and professional bodies in the heritage sector across the UK, EU and internationally, opens up an impressive range of opportunities to apply their skills and knowledge in a 'real-world' sett...
Gardening Design
24th May 2023
Gardening Art In Ancient Rome
by Paola Tavoletti
Find out more
“If you have a garden and a library, you have everything you need.” – Marcus Tullius Cicero
The contemplative and the intellectual dimension: a mix that helps us to live in harmony with ourselves and with the surrounding world. The ancient Romans were wise!
For the Romans the garden was initially tied to the peasant society, t...
Ceramics & Glass
9th May 2023
Investigating what lies beneath a 16th Century Maiolica Dish from The Russell-Cotes Museum
By Elizabeth Wells, MA Conservation Studies student, specialising in Ceramics and Related Materials
Short Courses
5th May 2023
Meet the maker: Jack Durling
Introducing Jack Durling, a new short course tutor at West Dean for 2023. Specialising in creating ceramic animal sculptures, Jack seeks to express his love of animals in his work and through his workshops. Here, he tells us more about his practice, current work, inspirations and where it all began... How did you get started with making ceramic animal sculptures? W...
Tutors
David Stent
Subject Leader - Fine Art
Dr David Stent is an artist, writer, curator and performer. His practice has drawn on various media, from drawing and painting to film, video, sonic and sculptural installation. He holds a PhD in Fine Art from the University of Reading, and is a Fellow of the Higher Education Academy.
Philip Sanderson
Subject Tutor - Tapestry, Fine Art
Studio Leader - West Dean Tapestry Studio
Philip Sanderson is Leader of the Professional Tapestry Studio and a Subject Tutor on the MFA in Fine Art. He is also the Tutor for the Tapestry Foundation Diploma and a short course tutor. During his time at West Dean Philip has translated the work of a number of artists into large-scale tapestries including Marta Rogoyska, John Hubbard, Tracy Emin, and Eva Rothschild.
Sarah Hughes
Programme Coordinator - BA (Hons) Art and Contemporary Craft
Subject Tutor - Fine Art
Sarah Hughes is the Programme Coordinator for the BA (Hons) Art and Contemporary Craft, and a subject tutor on our Fine Art programmes. Sarah, is an artist and composer with an interest in spatial practice.
George Charman
Subject Tutor - Fine Art & Art and Contemporary Craft
George Charman is an artist and lecturer based in London who teaches on the GD and MFA programmes at West Dean College of Arts and Conservation. Charman's practice-led research focuses on embodied social knowledge, exploring connections between dialogic social experiences and physical sensation in modes of creative production/fabrication.
Rebecca Partridge
Subject Tutor - Fine Art
Rebecca is an artist, writer and curator who has been exhibiting internationally since graduating from the Royal Academy Schools in 2007. While primarily a painter, her interests include cross-disciplinary approaches to landscape, contemporary Romanticism, synaesthesia and perception, with current curatorial research into the connections between contemporary painting and historical Land Art. She has been a lecturer at West Dean since 2012.
Jon Shaw
Subject Tutor - Fine Art
Jon K Shaw is a writer, editor and educator based in southeast London. He teaches in the Department of Visual Cultures at Goldsmiths, University of London; City & Guilds of London Art School; and West Dean College of Arts and Conservation.
Student Information
Discover more about student life, campus facilities, accommodation and admissions.
Find out more
Funding
We know it's not easy funding your studies, and we work hard to provide opportunities for additional financial support.
Find out more
International Students
We welcome students from around the globe. Discover more about studying in the UK, fees and student life.
Find out more