Fine Art Studio Tour, West Dean
Fine Art
The MFA (Master of Fine Art) at West Dean College is an advanced two-year full-time masters of fine art designed to further advance students' capacities in practical, theoretical and professional domains, with an emphasis on specialist studio practice. MFA students will establish and refine core concerns and ambitions, as well as subjecting the work to critical scrutiny and self-reflection. Interdisciplinary practices are encouraged and supported, as well as those focused on a single discipline such as Drawing, Painting, Printmaking, Sculpture, Drawing, Tapestry and Textiles. You will benefit from sustained periods of studio-based activity, with dissertation requirements coming early in the second year.
Learning environment
You can expect
MFA units include
Interdisciplinary study
Students are encouraged to collaborate with other College departments, particularly the full-time programmes in the School of Conservation, making the most of the wide range of specialist knowledge, materials and equipment that is available.
Fine Art Studio Tour, West Dean
West Dean Summer Show 2024 at the Edward James Studios, West Dean
Fine Art Studio Tour, West Dean
West Dean Summer Show 2024 at the Edward James Studios, West Dean
Study Fine Art at West Dean
Each year students stage a series of public exhibitions, including pop-up exhibitions, an annual fundraising exhibition and the celebrated Summer Shows that are held at the College and one other location, recently London and Margate, Kent. Through these, students develop skills in the requirements of exhibition management, such as production, installation and marketing.
As well as being encouraged to exhibit externally, both locally and nationally, during their studies, students have the unique opportunity to propose installations within West Dean House and West Dean Gardens. Project proposals are encouraged to reflect the rich heritage of West Dean and the legacy of College founder Edward James.
The West Dean Summer Show offers an opportunity for students on our Graduate Diploma and MFA qualifications to showcase their talents in a diverse range of practices including sculpture, installation, print, painting, film, ceramics, and textiles.
The Artist-in-Residence programme sees a series of professional artists living and working onsite, amongst Fine Art students. They enrich the creative learning environment by offering tutorial sessions with students as well as public presentations on the work produced during the residency and their wider practice.
Explore and expand your work in a uniquely immersive environment with its own connections to art history. Our School of Arts students enjoy specialist studio spaces dedicated to painting and drawing, sculpture and tapestry and textile-based work as well as exceptional exhibition space.
2025/26 Course Fees - UK & International Students
Lunch, accommodation and other living expenses are additional. Find out more
A £250 course fee and £200 accommodation deposit (if residential) is required to secure your place. Details will be provided to you in your offer. Fees are billed termly in advance. Please see the Terms and Conditions for further information.
We may routinely increase our course fees from year to year for one-year courses as well as courses lasting two or more years and may review and change such course fees without notice.
Funding
You may be eligible to apply for a Student Loan to cover course fees and/or maintenance; more information can be found on the Government Student Finance website.
Scholarships and Bursaries are also available based on individual need.
The following qualifications will be considered for entry on to the MFA:
Do you need help creating a portfolio to apply for Master of Fine Art? Read our portfolio advice to learn about the general requirements, what we look for in a good portfolio, and what it should reflect.
Applications for this course can be made by submitting a completed application form and emailing it to: [email protected].
Need more information? Have a question? Speak to our course advisors
Email: [email protected]
Phone: +44 01243 818 300 and select option 1
Commendations from the University of Sussex include:
"The high quality student experience and strength of student representation within the College."
"The changes to units so they draw on and make use of specific collections within the archive."
"The linking of theory and practice, and delivery of theory by studio technicians."
- By Megan an MA Book Conservation Student
There is a box on my workbench that, when opened, displays four smaller boxes. If you open any of these smaller boxes, the contents look astonishingly like the inside of a box of After Eights, with all the chocolates lined up in their little packets. Rather than minty treats, these boxes contain what my colleagues jokin...
Adrienne Chinn teaches the Certificate in Historical Fiction Writing at West Dean, an engaging writing course teaching students the key elements of successful historical fiction writing over three weekends in an academic year.
She is the author of six novels including The English Wife (2020), which became an international bestseller, reaching No. 2 in Canada and making the top 100 on ...
Whether you’re scribbling your first short story or finishing your seventh novel, writer’s block hits us all. Laura Wilkinson, a seasoned novelist and tutor on the Certificate in Fiction Writing and MA Creative Writing and Publishing at West Dean, knows this feeling well. With seven published novels (two under a pseudonym), including That Night In New York (2024) and Skin Deep (2017...
- By Takumi an FdA Horology Student
Konnichiwa! My name is Takumi, a second-year clockmaking student at West Dean College, studying as part of the Foundation Degree course in Horology. After graduating from a watchmaking school in Japan, I worked as a watch and clockmaker before moving to the UK. Inspired by the restoration work of Big Ben, I pursued my dream of becoming a clock...
Ahead of his woodturning courses in our new autumn/winter programme we sat down with tutor Richard Findley to discuss the value of making, the addiction nature of woodturning and why in-person tuition still trumps all.
Can you just start by introducing yourself and the course that you'll be teaching at West Dean?
I'm Richard Finley, I'm a professional woodturner ...
Ahead of her upcoming short courses in lampshade making we sat down with Moji Salehi to discuss inspiration, creativity and why it is so essential for humans to engage with it.
Could just start by introducing yourself and the course that you will be teaching at West Dean?
My name is Moji and I am an artist, designer, maker and teacher. I have been teaching b...
Subject Leader - Fine Art
Dr David Stent is an artist, writer, curator and performer. His practice has drawn on various media, from drawing and painting to film, video, sonic and sculptural installation. He holds a PhD in Fine Art from the University of Reading, and is a Fellow of the Higher Education Academy.
Subject Tutor - Tapestry, Fine Art
Studio Leader - West Dean Tapestry Studio
Philip Sanderson is Leader of the Professional Tapestry Studio and a Subject Tutor on the MFA in Fine Art. He is also the Tutor for the Tapestry Foundation Diploma and a short course tutor. During his time at West Dean Philip has translated the work of a number of artists into large-scale tapestries including Marta Rogoyska, John Hubbard, Tracy Emin, and Eva Rothschild.
Programme coordinator - BA (Hons) Art &Contemporary Craft
Subject tutor - Fine Art
Sarah Hughes is the Programme Coordinator for the BA (Hons) Art and Contemporary Craft, and a subject tutor on our Fine Art programmes. Sarah, is an artist and composer with an interest in spatial practice.
Subject tutor - Fine Art & BA (Hons) Art & Contemporary Craft
Short course tutor
George Charman is an artist and lecturer based in London who teaches on the GD and MFA programmes at West Dean College of Arts and Conservation. Charman's practice-led research focuses on embodied social knowledge, exploring connections between dialogic social experiences and physical sensation in modes of creative production/fabrication.
Mary trained at the Royal College of Art, graduating with an MFA in Printmaking. She has been teaching since 2008, including running the lithography studio at the famous Curwen. Her work is in the collections of the Imperial War Museum and the Tate Library as well as international museums.