Creative Papermaking: Landscape in Paper with Jane Ponsford

Ref: S3D41859

Places available

About this course

Join this hands-on course to explore papermaking inspired by landscape, creating sculptural and delicate papers using natural materials and pigments. Develop practical skills, experiment with a range of techniques, and leave with a portfolio of unique handmade papers.

Course Description

Discover and experiment with a range of techniques, from casting richly embossed, sculptural paper pulp sheets and 3D objects to forming delicate, lightweight Eastern-style papers inspired by landscape and place. Participants will learn to use papermaking to explore materials of landscape and landscape themes within the framework of sheet making and the making of individual art pieces and gain confidence in using these techniques to develop their own work by familiarising theirselves with a range of techniques such as, western papermaking, eastern papermaking, casting. couching, foraging and the use of colour partly as a dyestuff but also as inclusions.

Both styles can be textured and coloured using locally gathered pigments, plants, and natural dyes (all supplied), making each piece uniquely connected to the local Sussex landscape. Your handmade paper and paper objects can stand alone as artworks or become part of your own creative practice. You'll leave with a beautiful portfolio of locally made papers and the skills and inspiration to continue exploring at home.

The course will include a slide show at the beginning and an opportunity to reflect on what we have all learnt and made. We will be collecting materials from the gardens and woodland plantation at West Dean so please bring suitable footwear and weatherproof coats.

The course will be taught by demonstration and personal attention. While developing the themes from the previous “Creative papermaking with Colour”, this is a stand-alone course and participants do not need to have been on the previous one to benefit.

Course Materials

Included

Materials provided:

  • Mitsumata and other eastern paper making fibres and pulps
  • Cotton rag to be beaten in the Hollander beater and prepared cotton rag pulp which can be beaten using blenders
  • Local foraged plant material, clay chalk, etc
  • Adhesives and binders where necessary
  • Linen bookbinding thread and other thread and yarn

Equipment provided by tutor and/ or West Dean:

  • Blenders Moulds and deckles of various sizes Vats Felts Pelion J-cloths

Bookbinding tools:

  • Awls
  • Needles
  • Nip press, etc
  • Hollander beater (tutor’s own)

What students need to bring

Clean lidded containers: jars or empty milk containers or similar for inks/ dyes Plastic bags to take home work or for collecting materials Sketchbook/ notebook Pens, pencils

Available to buy

As required:

  • Ink
  • Paper
  • Thread
  • Scalpel and blades

From the tutor (you’ll need to pay the tutor by cash or bank transfer):

  • Additional dry cotton rag pulp sheets
  • Pelion
  • Prepared paper making additives
  • Wire mesh sheets

Additional information

Please wear appropriate clothing/aprons for the workshop or studio, this includes stout covered footwear (no sandals or open toes).

Timetable

Arrival day - first date of course
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration  
Student welcome, followed by dinner: 6.45pm (dinner included)
Teaching session: 8pm-9pm (attendance is essential)

Daily timetable
Course teaching: 9.15am-5pm  
Morning session: 9.15am-12.45pm including coffee/tea break  
Lunch break: 12.45pm-2pm (lunch included)  
Afternoon session: 2pm-5pm including coffee/tea break  
Teaching finishes: 5pm    
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed.

Departure day - last date of course
Course teaching: 9.15am-3pm (lunch included)  
Teaching finishes: 3pm  

Residential students will need to check out of rooms by 10am.
Please note, the tutor may make slight variations to the daily timetable as required.

General Information

Tutors

Jane Ponsford

Jane is an experienced tutor who teaches papermaking workshops in a variety of settings from museums and galleries to schools and in the landscape. Recently she has run workshops for Stroud International Textiles and The British Museum. She is a member of IAPMA and has exhibited nationally and internationally.

Accommodation

Residential option available. Find out accommodation costs and how to book here.

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Further study options for art craft and design short courses

Further study options

Take the next step in your creative practice, with foundation level to Masters in Fine Art study. 

Depending on your experience, start with an Online Foundation Certificate in Art and Design (one year, part-time), a Foundation Diploma in Art and Design made up of 10 short courses taken over two years (part-time) or advance your learning with our BA (Hons) Art and Contemporary Craft: Materials, Making, and Place (six years part-time). All will help you develop core skills, find direction in your practice and build an impressive portfolio in preparation for artist opportunities or higher-level study. See all degree and diploma courses.