Christine Graf
After working for many years as a goldsmith for jewellery designers and running her own studio Christine studied at School of Jewellery in Birmingham where she received an MA in 2007 with distinction.
Ref: S4D37838
Immerse yourself in colour and become fascinated by the process of enamelling. In the kiln, the enamel powder melts to form a solid layer of glass on the metal base. It is during this melting process that the colouring metal oxides reveal their true colour and brilliance.
You will be working with vitreous enamel - opaque and transparent - mainly on copper, with the opportunity to use silver and develop the technique on small three-dimensional pieces made from copper mesh.
This course offers the opportunity for you to explore colour in depth, focusing on colour shades, colour combinations, interactions and different surface textures.
Concrete tasks will be combined with more playful and intuitive approaches to help you find your own design language in the use of the technique. Individual and group discussions will broaden your experience and bring to light previously unnoticed aspects.
With enthusiasm and the joy of experimentation, a number of test pieces will be created. You will end with your own "sample book" and your personal vocabulary using colour and surface textures.
This course is part of our Materials week collection of courses focusing on pigments led by talented artist-tutors. Each course explores a different aspect of using pigments and how they are used in a variety of traditional and contemporary practices. Each tutor will be invited to give a short talk (10 minutes) about an aspect of their work relating to the theme of the week on Tuesday evening at 5.15pm. You will also be encouraged to visit other courses to see work produced across the varied approaches offered in the week.
View all courses in Pigment week
The course fee includes the cost of materials, shared amongst the group – copper sheet, copper mesh and a small selection of enamels.
Available from shop: -Drawing materials and paint brushes
For any materials you need to purchase from the shop, we suggest you do so during the first morning of your course, after having discussed them with your tutor.
Please wear appropriate clothing/aprons for the workshop or studio. This includes stout covered footwear, i.e. no open-toes or sandals, and safety boots, if specified.
Arrival day - first date of course
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration
Student welcome, followed by dinner: 6.45pm (dinner included)
Teaching session: 8pm-9pm (attendance is essential)
Daily timetable
Course teaching: 9.15am-5pm
Morning session: 9.15am-12.45pm including coffee/tea break
Lunch break: 12.45pm-2pm (lunch included)
Afternoon session: 2pm-5pm including coffee/tea break
Teaching finishes: 5pm
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed.
Departure day - last date of course
Course teaching: 9.15am-3pm (lunch included)
Teaching finishes: 3pm
Residential students will need to check out of rooms by 10am.
Please note, the tutor may make slight variations to the daily timetable as required.
After working for many years as a goldsmith for jewellery designers and running her own studio Christine studied at School of Jewellery in Birmingham where she received an MA in 2007 with distinction.
Residential option available. Find out accommodation costs and how to book here.
Our Foundation Degree in Metalwork will enhance your employment prospects, give you the skills to set up as a self-employed craftsperson or allow you to continue to higher education. Encompassing both silversmithing and blacksmithing, you will learn practical skills, material properties, placing your work in a broader context and historic metalworking techniques. Find out more