Looped Basketry with Soft Plant Materials with Tim Johnson

Ref: S4D42179

Places available

About this course

Looping has been used in basketmaking over the past 20,000 years to make baskets, traps and clothing. In this workshop you will explore these ancient technologies gaining first a solid foundation in traditional cordage making techniques and then go on to make looped bags and baskets with soft plant materials such as beaten esparto grass and split rushes.

Course Description

Looping is a diverse family of woven structures that can be found in many cultures around the world. Primarily worked in basketry with a variety of soft plant materials the technique has many applications and has been used in a variety of bags, baskets, costumes and traps.

In this course you will gain a solid foundation in making two and three ply cordage before moving on to making your first basket with simple looping using split rushes.

As we progress through the course we will look at a variety of more complex looping structures with additional interlinkings and extra twists and explore the possibilities of two strand ‘camel looping’. This technique can be found in baskets, muzzles and camel regalia from the Sahara and is one of Tim’s go-to techniques for making contemporary pieces.

We will take time to look at the wide variety of plant materials grown in the gardens of West Dean that have basketry applications and learn about their harvesting and processing for fibre work. Alongside working with rush we will try some other plant materials during the course including beaten Esparto grass from Spain.

To complete our baskets we will learn a variety of basket borders and several different techniques for making handles and straps.

Tim will bring along a wide variety of looped bags and baskets from around the world for participants to study and gather inspiration from. We will study diverse looping structures from many regions including the Sahara, northern Scandinavia, Australia and Papua New Guinea.

Course Materials

Included

Bundles of Rush and additional bundles of Esparto Grass and other plant materials will be available.

What students need to bring

Students may like to gather a variety of flexible materials for experimentation during the course – this may include rushes, grasses, palm leaves etc and string, threads, cordage, wire etc.

Scissors and needles will be provided but you may like to bring along your own basket making or craft tools that you may find useful in experimentation.

Available to buy

We have a generously stocked craft shop in the Garden Gatehouse which opens daily from 8.00am–5pm.

For any materials you need to purchase from the shop, we suggest you do so during the first morning of your course, after having discussed with your tutor.

Additional information

Participants with an eye for detail and a fascination with woven structures will enjoy the diversity of creative possibilities this family of techniques offers for creating contemporary and traditional woven vessels.

Timetable

Arrival day - first date of course
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration  
Student welcome, followed by dinner: 6.45pm (dinner included)
Teaching session: 8pm-9pm (attendance is essential)

Daily timetable
Course teaching: 9.15am-5pm  
Morning session: 9.15am-12.45pm including coffee/tea break  
Lunch break: 12.45pm-2pm (lunch included)  
Afternoon session: 2pm-5pm including coffee/tea break  
Teaching finishes: 5pm    
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed.

Departure day - last date of course
Course teaching: 9.15am-3pm (lunch included)  
Teaching finishes: 3pm  

Residential students will need to check out of rooms by 10am.
Please note, the tutor may make slight variations to the daily timetable as required.

General Information

Tutors

Tim Johnson

Over the past 25 years, artist and basketmaker Tim Johnson has explored the relationships of material, place, nature and culture. His diverse creative practice encompasses basketmaking and performance, photography and painting, sculpture and installation, textiles and costume, his work has been exhibited internationally.

Accommodation

Residential option available. Find out accommodation costs and how to book here.

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Further study options for art craft and design short courses

Further study options

Take the next step in your creative practice, with foundation level to Masters in Fine Art study. 

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