Ref: SLW40246
Through your own painting practice with the landscape, you will be encouraged to develop your technical skills with your chosen media and to extend your responses to your subject matter whilst exploring your understanding of the processes of abstraction.
Using exercises, the tutor will ask you to develop your technical approaches to your work. Exercises may invite you to work in a particular way, with a specified approach or materials, or both. Exercises may involve drawing, painting, writing or a combination of these.
By looking at examples of other artists work, you will be introduced to various contemporary painters and their working methods. The aim is to show a range of possible strategies, which you might employ in your own work. This will also help to develop your understanding of abstraction and inspire your thinking.
Through group discussions and individual tutorials, you will be pushed to extend your conceptual approaches. You will be required to engage in individual reflection in relation to your practice. Group tutorials will be used as a way of introducing new ideas, to summarise progress in the context of collective feedback and to develop your understanding of your painting practice within the context of contemporary painting. The concept of reflective studio practice will help you to develop the notion of critical thinking in relation to your work.
The course is couched within the broader art-historical context of landscape painting. You will be asked to consider your practice in relation to this history, changing notions of the landscape and concepts of abstraction.
By the end of the course, you will have increased knowledge and understanding of your approach to landscape painting, your idea of abstraction and begun to be a reflective studio practitioner. You will have improved handling of your chosen materials and started to understand your work within the context of contemporary art history.
Throughout the course you will be working in the studio and outside at times – please bring whatever equipment/clothing you feel is suitable to both situations. Please bring appropriate clothing and footwear for sunny and inclement weather.
The following list is provided as a suggestive guide, please feel free to bring along whatever equipment is suitable to your practice: Any pigments in the medium of your choice – reds, blues and yellows, possibly a black and a white A range of brushes – large and small, any other implements for applying pigments A plentiful supply of papers or supports, suitable to your medium, in various sizes – canvases, boards, etc. Sketchbooks in a variety of sizes, writing pad/notebook Water container 3B, 5B and 8B sketching pencils, putty rubber, water-soluble graphite pencil Lightweight board (if required on location), gummed tape and/or bulldog clips Palette, craft knife, tissues, drawing/technical pen(s), biro, camera
*NB. The College has a ready supply of large drawing boards, suitable for studio use, as well as studio and sketching easels.
No specific required preparation or reading, however, you may find it useful to have a look at any text about contemporary painting/contemporary art history (1960s onwards). Any other text which extends your thinking about your painting practice and your understanding of what painting is may also be useful. Please feel free to bring these texts with you.
Available from shop:
Please note you will be working on location, weather permitting. Please come equipped with appropriate clothing and equipment.. Please wear sturdy footwear, no open toes.
Arrival day - first date of course
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration
Student welcome, followed by dinner: 6.45pm (dinner included)
Teaching session: 8pm-9pm (attendance is essential)
Daily timetable
Course teaching: 9.15am-5pm
Morning session: 9.15am-12.45pm including coffee/tea break
Lunch break: 12.45pm-2pm (lunch included)
Afternoon session: 2pm-5pm including coffee/tea break
Teaching finishes: 5pm
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed.
Departure day - last date of course
Course teaching: 9.15am-3pm (lunch included)
Teaching finishes: 3pm
Residential students will need to check out of rooms by 10am.
Please note, the tutor may make slight variations to the daily timetable as required.
Steve is a professional artist and educator, whose practice spans over thirty years. Combining self-taught technical knowledge with an M.A. in Fine Art (York St. John) Steve is an elected Fellow of The British Watercolour Society and The International Guild of Artists.
Residential option available. Find out accommodation costs and how to book here.
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