Painting a Gentle Portrait Inspired by Gwen John with Louise Rainbow

Ref: D3D42054

Places available

About this course

This three day course explores the delicate and introspective world of Gwen John (1876–1939) – a pioneering modernist painter who is well known for her restrained colour palette, intimate portraits, and quiet emotional depth.

Course Description

The course covers practical exercises and historical insight, students will learn to paint portraits inspired by her subtle, contemplative and delicate approach. The course includes a visit to Tate Modern on the Friday afternoon to see Gwen John's work in the flesh and gain an understanding of her artistic and philosophical influences.

Over the three days we will work with a life model, develop skills in muted colour mixing and layering of paint . We will look at space and composition and learn how to capture quiet emotion and intimacy in portraiture.

Students are encouraged to draw and paint from life and they can bring images of a person they would like to make a study of. ?

Daily Course Outline

Day One – Gwen John: Looking and Drawing Introduction to Gwen John, her life, work and historical context. Explore her approach to portraiture, colour, space and composition through discussion and sketching exercises.

On Friday morning, Students will meet the tutor at Tate Britain at 10:30am to view Gwen John's work in person and draw inspiration from her paintings, considering her use of colour, scale, atmosphere and intimate subject matter.

Day Two – Beginning the Portrait Begin an acrylic portrait study working from a life model. Explore Gwen John-inspired approaches to muted colour, tonal relationships and simplified composition. Students will experiment with a restricted palette and layering paint to create subtle shifts in colour and atmosphere.

Day Three – Developing Quiet Emotion Continue developing the portrait studies, focusing on composition, space, colour relationships, layering and mark-making. Students will refine their work with individual guidance and consider how subtle changes in colour, tone and expression can communicate intimacy and quiet emotion. The day will conclude with a review and discussion of the finished or developing studies.

Course Materials

Included

On this course the College will supply some of the materials including:

  • A range of acrylic paints.
  • Grey board and canvas to work on.
  • The model who will sit for the course on the Saturday 

What students need to bring

The College asks for students to bring:

  • Their own preferred set of small and medium soft paint brushes as well as 2B – 6B graphite sketching pencils
  • A roll of masking tape
  • An apron (a disposable apron will be provided but you may prefer to bring your own) 

Available to buy

A good variety of art and craft materials are available to buy in the Gardens Gatehouse Shop.

Additional information

Please wear appropriate clothing/aprons for the workshop or studio. 

Timetable

Student registration: 10.30am - 11am
Course teaching: 11am – 5.15pm 
Morning session: 11am - 1pm
Lunch break: 1pm - 2pm (lunch is not included)
Afternoon session: 2pm - 5.15pm (15 minute break, 3.30pm–3.45pm)
Teaching finishes: 5.15pm  
 

General Information

Tutors

Louise Rainbow

Louise Rainbow has been teaching art for 25 years working in ceramics, drawing, painting and printmaking. She trained in contemporary arts at Bretton Hall, Leeds University and has experience teaching at all levels.

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