Ref: M2E39008
This course provides participants with systematic skills for identifying photographic processes from the 19th century to the present day. Combining a scientific layer structure approach with targeted spot-testing protocols, participants will develop reliable methods for distinguishing between processes that may appear visually similar. The course begins with an introduction to photographic chemistry and systematic examination techniques, including the spot-testing methodology for confident identification.
Day one focuses on historical processes including daguerreotypes, ambrotypes, tintypes, salted paper prints, and albumen photographs.
Day two covers 20th century and contemporary materials including silver gelatin prints, platinum/palladium, carbon prints, colour photography processes, and digital printing technologies.
Extensive hands-on workshops utilise the instructor's comprehensive study collection alongside selected examples from West Dean's photographic archive. Participants will master examination techniques using magnification, specialised lighting, and systematic testing protocols whilst developing standardised documentation methods.
By the end of the course you will have learned: Confident identification of major photographic processes using systematic visual examination and spot-testing protocols. Application of the layer structure approach combined with targeted testing methods. Effective use of examination equipment and testing procedures. Systematic documentation using standardised protocols
Access to instructor's comprehensive study collection of photographic processes; examination equipment (magnifiers, light sources, UV light); spot-testing materials and chemicals; examples from West Dean's photographic archive; comprehensive course handbook and reference materials; all practical workshop materials
Notebook and pen for documentation; any photographic materials from their own collections they would like examined (optional); comfortable clothing suitable for laboratory work; close-fitting shoes (no open toes) for workshop sessions
This course can be taken as a standalone course or as part of a three-course sequence on photographic materials conservation. Maximum 12 participants to ensure individual attention during practical sessions.
Arrival day
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration
6.45pm: Welcome, followed by dinner (included)
Daily timetable
Course teaching 9.00am - 5pm (lunch included)
Dinner: from 6.30pm (included for residential students)
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed
Departure day
Course teaching: 9.00am – 5.00pm (lunch included)
Residential students will need to check out of rooms by 10am. Please note, the tutor may make slight variations to the daily timetable as required.
Simon Fleury is a freelance conservator based in London. He specialises in the conservation, preservation, and exhibition of photographic objects and works on paper. Simon worked for over 25 years at London’s Victoria and Albert Museum, where he was responsible for the care and preservation of the museum's world-class photographic holdings.
Stephanie Jamieson is a conservator specialising in the conservation of photographic materials and artworks on paper. Stephanie is on the committee of the Icon Photographic Materials Group and has worked as a conservator at the Glamorgan Archives in Cardiff and the Victoria and Albert Museum.
Residential option available. Find out accommodation costs and how to book here.
