Experimental concrete casting for sculpture with George Charman and David Stent

Ref: S4D40877

Places available

About this course

Explore experimental concrete casting inspired by Edward James' Las Pozas. Learn formwork construction, drawing, mixing and casting techniques to create sculptural works responding to the West Dean environment.

Course Description

This course is part of our Making Skills: for Degree and Diploma Study, a themed series of short courses that teach foundation skills and offer an insight into studying one of our Higher Education courses at West Dean.

They cover a variety of subject areas and are taught by selected tutors who teach on the Degree and Diploma courses at West Dean, giving students a real insight into the opportunities available for full or part time study. They also offer an excellent opportunity to create and build on your portfolio, often a key requirement when you apply for a higher education programme, develop you practical making skills and find out if you would like to pursue further study.

There will also be opportunities to Meet the Tutors on Tuesday 8 September, with an evening event starting at 5:15pm in The Old Library, where each tutor will give a 10 minute talk about their practice and course. Workshop and studio tours will also be scheduled as part of the week, offering students the chance to see the full range of facilities and courses West Dean offers.

Course details
This course takes inspiration from Edward James’ experimental concrete sculptures at Las Pozas in Mexico and introduces you to creative approaches to concrete casting for contemporary sculptural practice.

You will begin with an illustrated introduction to the historical and artistic context of concrete casting and Edward James’ visionary sculpture garden. Drawing on his PhD research and visits to Las Pozas in 2015 and 2023, the tutor will support you through discussion and practical exercises that explore concrete as a sculptural medium.

You will develop a series of observational and imaginative sketches inspired by the West Dean surroundings. Through group discussion and critique, these drawings will be refined into plan drawings that inform the construction of formwork moulds using timber and other materials. Practical sessions will focus on building moulds, preparing and mixing concrete, and experimenting with casting techniques.

You will explore a range of experimental approaches including the use of colour pigments and aggregates, working with repeated forms, techniques of reinforcement, and the possibilities of fabric mould making. Technical instruction will be balanced with creative exploration, allowing you to respond to your own interests and sculptural ideas.

By the end of the course, you will have gained skills in observational and technical drawing, as well as woodwork and model-making through the development of moulds. You will also become familiar with basic concrete mixing and casting processes, giving you increased confidence to employ these techniques within your own sculptural practice.

Working with concrete can be physically demanding and may not be suitable for those with medical conditions that restrict heavy lifting or the use of power tools. To succeed on this course, you should have basic woodwork skills and some experience using hand tools, including a hand saw, electric jigsaw, cordless drill and hammer. If you are willing to learn and use these tools, you may still be able to join the course — please check with the course programmer.

Making Skills: for Degree and Diploma Study

Other subjects and short courses on this themed week are:

Printmaking: Combined Techniques
Attendance on the above course offers skills relevant to progressing onto Foundation Diploma in Printmaking

Tapestry Weaving: The Art of Translation
Attendance on the above course offers skills relevant to progressing onto Foundation Diploma in Tapestry

Painting Inspired by Goldsworthy’s Chalk Stone Walk
Attendance on the above course offers skills relevant to progressing onto Foundation Diploma in Art & Design and BA (Hons) Art & Contemporary Craft

Object: Memory - Exploring Tactile Ways to Tell Stories and Experimental Concrete Casting for Sculpture
Attendance on any of the above courses offers skills relevant to progressing onto BA (Hons) Art & Contemporary Craft

Printmaking: Combined Techniques, Experimental Concrete Casting for Sculpture and Tapestry Weaving: The Art of Translation
Attendance on any of the above courses offers skills relevant to progressing onto Graduate Diploma Fine Art and MFA Fine Art

Silversmithing with an Emphasis on Box Making and Blacksmithing: Fundamentals and Individual Projects
Attendance on any of the above courses offers skills relevant to progressing onto FdA Metalwork (Craft Practices)

Woodworking: Tool Control, Posture and Precision. No Plane, No Gain
Attendance on the above course offers skills relevant to progressing onto FdA Furniture (Craft Practices)

Bookbinding Sampler: Designing and Creating a Sewn Notebook and Introduction to the Conservation of Books and Archives
Attendance on any of the above courses offers skills relevant to progressing onto FdA Books & Bindings (Craft Practices)

Introduction to the Conservation of Books and Archives
Attendance on the above course offers skills relevant to progressing onto Graduate Diploma Conservation and MA Conservation

Practical Skills in Conservation
Attendance on the above course offers skills relevant to progressing onto Graduate Diploma Conservation

Interior Design Intensive – Process, Planning and Presentation
Attendance on the above course offers skills relevant to progressing onto BA (Hons) Interior Design and HE Diploma Interior Design

Find out more and View all Courses

Course Materials

Included

On this course the College will supply most of the materials required for the specific project set by the tutor or shared by the group, including basic timber, concrete, aggregates and pigments.

What students need to bring

  • Sketchbook and pencils
  • Protective clothing or apron
  • Stout covered footwear (no sandals or open toes)
  • Basic hand tools if owned (optional)
  • Willingness to use hand saw, electric jigsaw, cordless drill and hammer

Available to buy

Gardens Gatehouse Craft Shop:

  • A range of art and craft materials

Additional information

Please wear appropriate clothing/aprons for the workshop or studio, this includes stout covered footwear (no sandals or open toes).

Students should have basic woodwork skills and previous experience using these tools. If unsure, students should check with the course programmer before booking.

Working with concrete can be physically demanding.

Timetable

Arrival day - first date of course
Residential students can arrive from 4pm, non-residential students to arrive by 6.45pm for registration  
Student welcome, followed by dinner: 6.45pm (dinner included)
Teaching session: 8pm-9pm (attendance is essential)

Daily timetable
Course teaching: 9.15am-5pm  
Morning session: 9.15am-12.45pm including coffee/tea break  
Lunch break: 12.45pm-2pm (lunch included)  
Afternoon session: 2pm-5pm including coffee/tea break  
Teaching finishes: 5pm    
Evening working: students may have access to workshops until 9pm, but only with permission from the tutor and provided any health and safety guidelines are observed.

Departure day - last date of course
Course teaching: 9.15am-3pm (lunch included)  
Teaching finishes: 3pm  

Residential students will need to check out of rooms by 10am.
Please note, the tutor may make slight variations to the daily timetable as required.

General Information

Tutors

George Charman teaching at West Dean College of Arts and Conservation

George Charman

Subject tutor - Fine Art & BA (Hons) Art & Contemporary Craft
Short course tutor

George Charman is an artist and lecturer based in London who teaches on the GD and MFA programmes at West Dean College of Arts and Conservation. Charman's practice-led research focuses on embodied social knowledge, exploring connections between dialogic social experiences and physical sensation in modes of creative production/fabrication.

Dr David Stent, Fine Art tutor at West Dean College of Arts and Conservation

David Stent

Subject Leader - Fine Art

Dr David Stent is an artist, writer, curator and performer. His practice has drawn on various media, from drawing and painting to film, video, sonic and sculptural installation. He holds a PhD in Fine Art from the University of Reading, and is a Fellow of the Higher Education Academy. 

Accommodation

Residential option available. Find out accommodation costs and how to book here.

Courses of interest

Sculpture from the landscape using found and natural materials

Online
Buy course
Tutor: Dan Lobb |
Suitable for all
£47

Surrealist bronze candlesticks

31 Jul 2026 to 6 Aug 2026 | West Dean
2 places available
Tutor: Necole Schmitz |
Suitable for all
£1,551

Organic sculptures in clay

13 to 17 Sep 2026 | West Dean
Places available
Tutor: Sarah Villeneau |
Intermediate
£839
Further study options for art craft and design short courses

Further study options

Take the next step in your creative practice, with foundation level to Masters in Fine Art study. 

Depending on your experience, start with an Online Foundation Certificate in Art and Design (one year, part-time), a Foundation Diploma in Art and Design made up of 10 short courses taken over two years (part-time) or advance your learning with our BA (Hons) Art and Contemporary Craft: Materials, Making, and Place (six years part-time). All will help you develop core skills, find direction in your practice and build an impressive portfolio in preparation for artist opportunities or higher-level study. See all degree and diploma courses.